Recording the Other
On se permet de me le signaler
Je suis l'affaire de chacun et de chacune
À tout moment, n'importe qui pourrait se sentir libre
De me le rappeler:
"Viens là.
Dévoile toi.
Sois comme moi,
Mais reste là-bas.
Que tu t'approches,
Que tu t'éloignes,
Jamais tu ne seras au bon endroit
Nous ne vous comptons pas."
Un Lot de Deux (Playtime)
J'ai une amie, elle est très gentille;
et une autre amie, très douce aussi.
Elles se ressemblent comme deux jumelles,
elles ont une langue et une semelle, mes deux amies.
Elles se rassemblent, elles vont partout ensemble;
elles se ressemblent au bout de mes deux jambes.
Elles me protègent courageusement
contre la pluie, la neige, le vent,
mes deux amies.
Sad Ebb (Giving Out)
It ends
Sad ebb
He was bad egg, God knows
But love,
But sadness ebb
It all goes
Lot’s Wife (Playtime)
I’ll be Lot’s wife and you be my foul beloved
Cities of the Plain.
I would rather gorge my eyes on you and die
with your outline inside me
Than survive
By grace
Of this flavourless God
Who towers over us.
As I look back
All I taste is the savour of interruption
The salt of a whole life expended in the moment of our parting
And my fruitless lifelong tears over your unavoidable fate
Concentrate.
This Recording is for the ears of Dead People Only
12 July 2005, London (UK)
This recorded music is for the ears of dead people
only.
I offer and hope, with love and respect, to make
carefully prepared short recordings of acoustic
saxophone music, composed for the purpose, each one to
be played back once only through headphones worn by a
particular dead individual. The recordings will then
be erased.
Neither I nor anyone living will ever hear these
recordings and even I won't know what they sound like,
because the microphone will be placed far inside the
saxophone, in an acoustic microcosm that human ears
cannot enter.
http://carolinekraabel.free.fr/
Troth Plight (Playtime)
Here at the outset of World War Three
I’d like to ask you to spend it with me
We’d hold hands
Open some cans
We’d run through the mist from crater to crater
Please share my last potater
Our last chance at last
We'd better not blow it
Together till the end
Of life as we know it.
Entre îlots (Playtime)
O, ma maman,
ne me quitte pas,
je t’aime tellement
que je ne t’aime pas
et j’ai mal à toi
O, mon enfant,
ne me quitte pas
je t’aime tellement
que je ne t’aime pas
et j’ai mal à toi
Vacant Lots (Playtime)
Closed roller-blind, yellowing
At the bottom a ring
Covered with string
Gaps at the top and sides
Dark outside
Lights out inside
And open eyes
Not watching but seeing light
Crossing the ceiling
The Wolf from Broken Bone (Now We Are One Two)
The pain was too great.
It was like a 45 being played at 78
and my grandmother
DANGER!
saying
12-FOOT DROP!
“C’est ça que chantait Britou
Pour sa première communion,
C’était si beau, comme des anges...
Mais je pensais que c’était un homme qui chantait là-dessus?
Tu vois? Je perds la tête.
Je perds la mémoire.”
The pain was too great.
I did not see the sign until it was too late,
And there we were,
Hurtling down a one-way street the wrong way.
“Hola, chica...
“Eh, Chica! Where you going?”
(Broken bone, broken bone, broken bone)
“Mmm Hmm, Lobo.... Where you from?”
(Broken bone, broken bone, broken bone)
“I understand that’s a place in Nebraska, right?
Which is more BEAUTIFUL than paradise.”
“No, you’re wrong, actually.
You’re thinking of somewhere else.
But I got my name the same way.”
You Can't Afford This 3
by Caroline Kraabel
27 June 2020
Punk was my personal Perestroika – a few moments of freedom and possibility preceding a takeover by the most rapacious, the cannibals, getting fat on us. Mines, shipbuilding, steel, gas, electricity, water, telecoms, airlines, railways, housing, prisons, schools, universities, care homes, roads, parks, rubbish collection, forests, land, buildings, tubes, buses, pensions, post offices... sold off, privatised or destroyed.
Those with no ballast of scruple, love, or conscience floated effortlessly to the top, stealing from past and future generations. Once the tangible assets were gone for good, they used the technology of creators who dreamed of freedom to turn our ties of friendship, family, interests; our communication, curiosity, creativity and individual constellations of relationships, into PRODUCTS to be sold to the highest bidder (States, Parties, advertisers, corporations). YOU have now been privatised online.
When the ideologically committed state facilitators of overweening greed, whose sickness dictates their beliefs:
Fuck everyone else but me
Buy cheap and sell dear
There's no power but buying power
Enclose the commons
Poison the well
Everything has a price and if you have to ask what it is, you can't afford it…
when they come up against a novel sickness that can't be bought or sold,
what happens?
An orgy of denial, buck-passing and empty bravado. The murder by omission of thousands who could still have been alive. The handing over without tender of vast contracts to inexperienced and incompetent private companies run by cronies. Because if they can't buy a cure, they can at least keep finding ways to turn a profit from all the sickness and death. Lie after lie after lie, over PPE, Dominic Cummings; Test&Trace; the tracking app; "immediate end to NHS surcharges for workers from abroad and their families"; "World-beating response". The exhortations to get back out there: herd immunity by the back door, cynically jettisoning the old, the poor, the very workers who are just holding the scraps of our society together. In the UK, the USA and Brazil, the most dangerous co-morbidity with Covid 19 is deadly extremist neo-liberal capitalism.
c and p C Kraabel
all rights reserved
https://carolinekraabel.bandcamp.com/track/you-cant-afford-this-2
Shadow shelter
Shadow falls away from light
Direct light blinds
You see better
with eyes inside the shadow
back illuminated
Blind light blinds
Ombre abri
L’ombre tombe à l’écart de la lumière
La lumière directe aveugle
On voit mieux
les yeux à l’intérieur de l’ombre
le dos illuminé
La lumière aveugle